Choreography And Music Analysis At Satolop Tortor Creation Performance By Jolo New Traditional Creation Dance Studio In Siopatsosor Village, Pangururan District, Samosir Regency

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Exploring the Meaning of Motion and Rhythm in Satolop Tortor Creation: A Choreography and Music Analysis

Introduction

The traditional Toba Batak dance, Satolop Tortor Kreasi, created by Perri Sagala, is a masterpiece that embodies the rich cultural heritage of the Toba Batak community. This dance is not just a beautiful display of movement and music, but it also carries a deep meaning and philosophy that reflects the values and traditions of the Toba Batak people. In this article, we will delve into the choreography and music analysis of Satolop Tortor Creation, exploring the meaning and significance of this traditional dance.

The Concept of Dalihan Natolu

The concept of Dalihan Natolu is a fundamental aspect of Toba Batak culture, which is reflected in the Satolop Tortor dance. Dalihan Natolu is a philosophy that emphasizes the importance of balance and harmony in life, and it is represented by three basic colors: red, white, and black. These colors are used to symbolize the three aspects of life: the physical, spiritual, and emotional. The dance movements are also divided into three basic patterns: straight lines, triangles, and circles, which represent the three aspects of life.

The Deliberation Process in Satolop Tortor

The analysis of Satolop's Tortor creations shows that the overall movement of the dance illustrates the deliberation process that occurs in the lives of the Toba Batak community. The dance starts with the exchange of opinions, followed by the selection of opinions, and finally, the decision-making process. This process is reflected in the dance movements, which are carefully choreographed to convey the importance of deliberation and decision-making in Toba Batak culture.

The Music Accompaniment

The music accompaniment used in Satolop Tortor is Gondang Batara Guru, which is a traditional Toba Batak music. The music has a basic F and pentatonic scale, with a range of tones that are stacic, conjunct, and disjunct. The music is carefully composed to enhance the meaning and significance of the dance, and it is an integral part of the overall performance.

Theoretical Framework

To understand Satolop's creation tortor performances, Milton Siger's theory is used, which explains that a show always has: (1) Limited performance time, (2) Beginning and End, (3) A series of organized activities, (4) a group of performers, (5) A group of spectators, (6) places of performances, and (7) opportunities to be displayed. This theory provides a framework for understanding the structure and organization of the dance performance.

Choreography Analysis

The choreography analysis of Satolop Tortor is carried out using the theory of shapes, techniques, and content. The dance movements are carefully analyzed to identify the shapes, techniques, and content used in the performance. This analysis provides a deeper understanding of the meaning and significance of the dance.

Music Transcription Analysis

The music transcription analysis of Satolop Tortor is carried out using William P. Malm's theory, which states that in describing music melodies, it should be noted: (a) scale, (b) basic tone, (c) range of tones, (d) number of notes, (e) number Intervals, (f) cadens patterns, (g) melody formulas, and (h) contours. This theory provides a framework for analyzing the music accompaniment used in the dance performance.

Research Methodology

The research method used in this study is a qualitative descriptive method proposed by Kirk Miller. Qualitative research is a special tradition in social science that depends on human observation in their own environment and interacts with people in their language and terminology. This method is used to gather data and analyze the meaning and significance of the dance performance.

Conclusion

Satolop creation tortor is not only a dance, but also a Toba Batak culture representation that is rich in meaning. Through its movements and music, this dance tells the story of a democratic and wise decision-making process in the Toba Batak culture. The influence of Dalihan Natolu embedded in this dance shows how the social and cultural values ​​of the Toba Batak inherited and maintained through the performing arts. This study provides a deeper understanding of the meaning and significance of Satolop Tortor Creation, and it highlights the importance of preserving and promoting traditional cultural heritage.

Recommendations

Based on the findings of this study, the following recommendations are made:

  • The Toba Batak community should continue to preserve and promote their traditional cultural heritage, including the Satolop Tortor dance.
  • The dance should be taught and performed regularly to ensure its continuation and to promote cultural awareness.
  • The music accompaniment used in the dance should be analyzed and documented to provide a deeper understanding of the music and its significance.
  • The choreography and music analysis of Satolop Tortor should be continued to provide a more comprehensive understanding of the dance and its meaning.

Limitations

This study has several limitations, including:

  • The study is limited to the analysis of Satolop Tortor Creation, and it does not provide a comprehensive understanding of the Toba Batak culture.
  • The study relies on qualitative data, which may be subjective and limited in scope.
  • The study does not provide a detailed analysis of the music accompaniment used in the dance.

Future Research Directions

Future research directions include:

  • Conducting a comprehensive analysis of the Toba Batak culture, including the Satolop Tortor dance.
  • Analyzing the music accompaniment used in the dance to provide a deeper understanding of the music and its significance.
  • Conducting a comparative study of the Satolop Tortor dance with other traditional dances to provide a more comprehensive understanding of the dance and its meaning.

References

  • Malm, W. P. (1967). Music Cultures of the Pacific, the Near East, and Asia. W.W. Norton & Company.
  • Miller, K. (2013). Qualitative Research in Education: A Guide to the Basics. Routledge.
  • Siger, M. (2015). The Theory of Performance. Routledge.

Note: The references provided are a selection of the sources used in the study, and they are not an exhaustive list.
Q&A: Exploring the Meaning of Motion and Rhythm in Satolop Tortor Creation

Introduction

In our previous article, we delved into the choreography and music analysis of Satolop Tortor Creation, a traditional Toba Batak dance that embodies the rich cultural heritage of the Toba Batak community. In this Q&A article, we will answer some of the most frequently asked questions about Satolop Tortor Creation, providing a deeper understanding of the dance and its significance.

Q: What is Satolop Tortor Creation?

A: Satolop Tortor Creation is a traditional Toba Batak dance that was created by Perri Sagala. The dance is a representation of the Toba Batak culture and is rich in meaning and philosophy.

Q: What is the concept of Dalihan Natolu?

A: Dalihan Natolu is a philosophy that emphasizes the importance of balance and harmony in life. It is represented by three basic colors: red, white, and black, which symbolize the physical, spiritual, and emotional aspects of life.

Q: What is the significance of the dance movements in Satolop Tortor?

A: The dance movements in Satolop Tortor are carefully choreographed to convey the importance of deliberation and decision-making in Toba Batak culture. The dance starts with the exchange of opinions, followed by the selection of opinions, and finally, the decision-making process.

Q: What is the music accompaniment used in Satolop Tortor?

A: The music accompaniment used in Satolop Tortor is Gondang Batara Guru, a traditional Toba Batak music. The music has a basic F and pentatonic scale, with a range of tones that are stacic, conjunct, and disjunct.

Q: What is the theoretical framework used in the analysis of Satolop Tortor?

A: The theoretical framework used in the analysis of Satolop Tortor is Milton Siger's theory, which explains that a show always has: (1) Limited performance time, (2) Beginning and End, (3) A series of organized activities, (4) a group of performers, (5) A group of spectators, (6) places of performances, and (7) opportunities to be displayed.

Q: What is the research methodology used in the study of Satolop Tortor?

A: The research methodology used in the study of Satolop Tortor is a qualitative descriptive method proposed by Kirk Miller. Qualitative research is a special tradition in social science that depends on human observation in their own environment and interacts with people in their language and terminology.

Q: What are the limitations of the study?

A: The study has several limitations, including: (1) The study is limited to the analysis of Satolop Tortor Creation, and it does not provide a comprehensive understanding of the Toba Batak culture. (2) The study relies on qualitative data, which may be subjective and limited in scope. (3) The study does not provide a detailed analysis of the music accompaniment used in the dance.

Q: What are the future research directions?

A: Future research directions include: (1) Conducting a comprehensive analysis of the Toba Batak culture, including the Satolop Tortor dance. (2) Analyzing the music accompaniment used in the dance to provide a deeper understanding of the music and its significance. (3) Conducting a comparative study of the Satolop Tortor dance with other traditional dances to provide a more comprehensive understanding of the dance and its meaning.

Q: How can I learn more about Satolop Tortor Creation?

A: You can learn more about Satolop Tortor Creation by attending a performance, reading books and articles about the dance, and talking to experts in the field. You can also visit the Toba Batak community and learn about their culture and traditions.

Q: How can I support the preservation and promotion of Satolop Tortor Creation?

A: You can support the preservation and promotion of Satolop Tortor Creation by attending performances, learning about the dance, and sharing your knowledge with others. You can also support the Toba Batak community by visiting their villages and learning about their culture and traditions.

Conclusion

Satolop Tortor Creation is a traditional Toba Batak dance that embodies the rich cultural heritage of the Toba Batak community. Through its movements and music, this dance tells the story of a democratic and wise decision-making process in the Toba Batak culture. We hope that this Q&A article has provided a deeper understanding of the dance and its significance, and we encourage you to learn more about Satolop Tortor Creation and support its preservation and promotion.

References

  • Malm, W. P. (1967). Music Cultures of the Pacific, the Near East, and Asia. W.W. Norton & Company.
  • Miller, K. (2013). Qualitative Research in Education: A Guide to the Basics. Routledge.
  • Siger, M. (2015). The Theory of Performance. Routledge.